Feb
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REVIEW (The Hunter’s Anthology)

The Hunter’s Anthology: Robert Smithline’s Whodunnit is a Dark, Devilish Delight London, UK (The Hollywood Times) 2/2/2020 – I believe it to be my responsibility to forewarn anyone who decides to watch The Hunter’s Anthology that they should not under any circumstances expect to get anything else done, including sleep. I intended to watch just one episode, late…

Oct
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REVIEW (MAKI)

A young Japanese woman in New York is the heroine of a beautifully made story of cultural displacement and innocence betrayed. The heroine of Maki is a naive-looking Japanese woman who seems out of place in the blue-tinged light of the New York gentleman’s club where she works. Her discomfort goes to the heart of…

Oct
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Jane B. for Agnès V. (1988)

Two feminist queens come together in this exquisite meditation on femininity, carnality, motherhood, and what it means to represent one another on screen. We watch Agnès Varda negotiate with Jane Birkin—who memorably outraged the world by orgasmically moaning in “Moi je t’aime…moi non plus,” her duet with then-partner Serge Gainsbourg —about how she will be…

Sep
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REVIEW (AUGUST THE FIRST)

Ain’t It Cool News “Family problems are universal. Everyone is embarrassed by familial fights, secrets, divorces, and betrayals. This movie brilliantly illustrates such universality.” Read More  

Sep
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REVIEW (AUGUST THE FIRST)

IndieWire by Mark Rabinowitz “A smart and engaging debut, Olabisi’s film is notable for a number of reasons, not the least of which is that it portrays black middle-class Americans in a normal domestic crisis situation sans guns, drugs, dealers or pregnant teens.” Read More

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